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This series aims to provide a number of short monographs, each dealing with the genesis and structure of an individual work by a composer of stature. In each case a study of the genesis of the work from its known origins to its final realization is connected to an analytical overview of the finished composition. Each monograph is written by a specialist, and the emphasis placed on sketch study, on musical analysis, and on the position of the work within the conventions of its genre varies from work to work and from author to author.
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