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John Gardner
John Gardner photo © McKenzie Clark

‘John Gardner has made a sizeable contribution to the wonderful heritage of choral music. It deserves to be sought out, performed, and enjoyed.’
Louis Halsey, American Choral Directors' Association Journal

‘John Gardner was quickly recognised by real and practical musicians as a composer with a rare symphonic instinct, imaginative orchestral command, lively, diverse and accessible ideas and a particular aptitude for creating choral and vocal music.’
Patrick Standford, Choir & Organ


John Gardner was born in Manchester in 1917 and spent his childhood in North Devon, where his family had practised medicine for three generations. He was educated at Wellington College, and from 1935 to 1939 was Sir Hubert Parry Organ Scholar of Exeter College, Oxford.

After a brief spell as Chief Music Master at Repton School, he joined the RAF in 1940, where he served successively as dance-band pianist, bandmaster, and navigator. On demobilisation in 1946 he joined the music staff of the Royal Opera House, leaving at the end of 1952 to pursue a freelance career as composer, teacher, pianist, and conductor.

His first public performances of note were those of his Second Piano Sonata (London 1934) and his Rhapsody for Oboe and String Quartet (French Radio 1939), and in 1937 he got his first paid work by writing music for three television shows. A quiet period followed until Sir John Barbirolli put on his First Symphony at the 1951 Cheltenham Festival. This event brought some commissions in its wake; a ballet for the 1952 Edinburgh Festival, a choral work for the 1952 Three Choirs Festival, and the opera The Moon and Sixpence for the Sadler's Wells Opera Company (1957).

He also produced two more symphonies, several large-scale cantatas, concertos for piano, trumpet, organ, and oboe, two more string quartets, three more operas, including The Visitors (Aldeburgh) and Tobermory (Royal Academy of Music), another piano sonata, an organ sonata, and a great variety of ensemble, solo and choral music as well as theatre music for the Old Vic and the Shakespeare Memorial Theatre, Stratford. One of his most popular carols, written in the 1960s, is Tomorrow Shall be my Dancing Day. The choral anthology, A Cappella, of which he was the instigator and, with Simon Harris, co-editor, was published by OUP in 1992.

John Gardner held a number of part-time teaching posts: at the Royal Academy of Music (1956-86), Morley College (1952-76), and St Paul's Girls' School (1962-75), and was a Director of the Performing Right Society from 1965 to 1992. He was made a CBE in 1976. John Gardner died in December 2011.

For more information and full works list please visit John Gardner’s website.

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A Burns Sequence
Vocal and instrumental scores and parts on hire
John Gardner
978-0-19-336208-6
27 October 1994
Available on Hire
A cappella
Vocal score
John Gardner, Simon Harris
978-0-19-336199-7
Paperback
07 May 1992
£13.50
A Latter Day Athenian Speaks
Vocal and instrumental scores and parts on hire
John Gardner
978-0-19-336200-0
31 March 1969
Available on Hire
A Scots Overture
Conductor's score and parts on hire
John Gardner
978-0-19-363415-2
31 March 1969
Available on Hire
A Shakespeare Sequence
Vocal and instrumental scores and parts on hire
John Gardner
978-0-19-336261-1
31 March 1969
Available on Hire
Bel and the Dragon
Vocal and instrumental scores and parts on hire
John Gardner
978-0-19-336204-8
19 August 1976
Available on Hire
Vocal score
John Gardner
978-0-19-536558-0
Paperback
31 March 1969
£1.85
Cantata for Christmas
Vocal and instrumental scores and parts on hire
John Gardner
978-0-19-336212-3
31 March 1969
Available on Hire
Cantata for Easter
Percussion parts on hire
John Gardner
978-0-19-336215-4
09 November 1972
Available on Hire
Cantata for Easter
Vocal score on hire
John Gardner
978-0-19-336214-7
15 February 1973
Available on Hire
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