|
Also Recommended
|
|
|
The Life of Gypsy Rose Lee
Noralee Frankel
£12.99
|
|
|
|
|
Bad Girls Go Everywhere
The Life of Helen Gurley Brown
Jennifer Scanlon
288 pages
|
16 halftones
|
155 x 235mm
978-0-19-534205-5
|
Hardback
|
18 June 2009
|
|
|
|
|
- First biography of Helen Gurley Brown
- Selling point: First biography of Helen Gurley Brown
- Selling point: Cosmopolitan magazine remains the #1 publication read by college-age women, and versions are published in 54 countries
- Selling point: Addresses current controversies: Feminism has changed since our mothers campaigned for the ERA; Brown's ideology and career both foreshadowed and ushered in feminism's sex-positive Third Wave
Born in Arkansas to a family of modest means, Helen Gurley Brown worked at countless secretarial jobs and was an advertising executive before writing the 1962 international bestseller Sex and the Single Girl, marrying the love of her life, becoming the diva of the New York magazine world, and editing Cosmopolitan magazine for 32 years. In her farewell column in 1997, Brown offered her Cosmo readers three pieces of advice: every woman has something that makes her unique and gifted; men are not the enemy; and sex is
among the best things in life. With these brief directives Brown summarized the philosophy that made her such an important and contested figure throughout the second half of the twentieth century. Imagine the life of a single woman in 1962. Women were encouraged to attend college primarily to obtain an Mrs. degree, newspaper ads listed jobs by sex, women could only obtain credit through their husbands, and unmarried women became suspect by the time they reached their mid-twenties. Along came a firebrand named Helen Gurley Brown, who had remained single into her late thirties and who had the audacity to encourage her unmarried sisters not to grab a husband, or to hide their single status, but to live, instead, in what she called "superlative style." Her 1962 book,
Sex and the Single Girl, became an overnight and international sensation for its frank look at single women's work lives, financial lives, and, of course, sex lives. To conservatives, Brown's books and magazine released the single woman from all social and sexual constraints, making her a threat to the institution of marriage. To many in the women's liberation movement, Brown's views enhanced men's rather than women's lives by turning women into sexually available playmates rather than making them powerful in their own right. For her legion of fans, however, Helen Gurley Brown represented another path, one that let women pursue heterosexual relationships yet remain independent, work at being beautiful yet call themselves feminists.
Jennifer Scanlon's book is the first biography of Helen Gurley Brown, an icon of contemporary women's history and popular culture. Brown's irreverent and daring life and work challenge the stereotype of second-wave feminists as frumpy and humorless, while foreshadowing the sex-positive, lipstick-wearing—Cosmo-reading—third wave. Because Brown both bought into and utterly transformed advertising and consumer culture, this book will interest not only a female trade audience, but scholars in women's studies, American studies, popular culture studies, sociology, and history.
|
|
|
"Bracing biography...thoroughly absorbing." - Frances Wilson, TLS "Scanlon's biography, both scholarly and readable, is an excellent treatise on the subject." - Jeananne Crowley, Irish Times "Scanlon...is to be applauded for her revisionist approach." - Liz Hoggard, Evening Standard "The book moves at a cracking pace and is mercifully free of academic jargon." - Liz Hoggard, Evening Standard "A deeply satisfying and illuminating read...Scanlon is also a clear-headed and fair biographer." - Sarah Vine, The Times "An important book for any modern woman who occasionally wonders how we got where we are today." - Sarah
Vine, The Times
|
|
|
Preface
1Growing Up Gurley, and a Girl
2: Work Life, Romantic Entanglements
3: David Brown
4: Sex and the Single Girl
5: Sensationalist Literature and Expert Advice: Selling Sex and the Single Girl
6: Sexy from the Start: The Early Years of Second Wave Feminism
7: Packaging a Message—and a Messenger
8: Normal Like Me: The Single Girl on Television
9: Good Girls Go to Heaven—Bad Girls Go Everywhere: Helen Gurley Brown's Cosmopolitan
10: Sexual Liberation On Whose Terms? Defining the Second Wave
11: Aging, Resisting, Redefining
12: An Editor Steps Down, Reluctantly
Acknowledgments
|
|
|
|
The specification in this catalogue, including without limitation price, format, extent, number of illustrations, and month of publication, was as accurate as possible at the time the catalogue was compiled. Occasionally, due to the nature of some contractual restrictions, we are unable to ship a specific product to a particular territory. Jacket images are provisional and liable to change before publication.
|
|