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Visual Experience
Sensation, Cognition, and Constancy
Edited by Gary Hatfield and Sarah Allred
264 pages
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246x171mm
978-0-19-959727-7
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Hardback
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21 June 2012
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- Contributors are interdisciplinary, so the book provides multiple perspectives on one issue
- Asks psychologists to move beyond their usual comfort zone in discussing methodological and philosophical questions. This is done through engaging questions that many psychologists find interesting but are hesitant to discuss openly
- Asks philosophers to engage with the empirical literature of psychology more fully than usual. This shows the benefit to philosophy of engaging with the empirical sciences closely
'Seeing' happens effortlessly and yet is endlessly complex. One of the most fascinating aspects of visual perception is its stability and constancy. As we shift our gaze or move about the world, the light projected onto the retinas is constantly changing. Yet the surrounding objects appear stable in their properties.
Psychologists have long been interested in constancies, exploring questions such as: How good is constancy? Is constancy a fact about how things look, or is it a product of our beliefs and judgments
about how things look? How can the contents of visual experience be studied experimentally? However, philosophers have long been interested in characterizing visual experience and have become widely interested in the constancies more recently. As psychologists and philosophers have interacted, new questions have arisen: should we regard any departure from constancy as a failure of the visual system, or might it be a reasonable or adaptive response? In what circumstances is 'seeing' highly conditioned by cognitive factors such as background assumptions, and in what circumstances not?
Visual Experience explores size constancy and color constancy. It considers methodologies for studying conscious visual perception, efforts to describe visual experience in relation to
constancy, what it means that constancy is not always perfect, and the conceptual resources needed for explaining visual experience. This interdisciplinary book is invaluable for both vision scientists and philosophers of mind.Readership: Vision scientists (including psychologists and neuroscientists), academic philosophers, and fine art teachers interested in perception.
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Edited by Gary Hatfield, Professor of Philosophy, University of Pennsylvania, USA, and Sarah Allred, Assistant Professor, Rutgers University, USA Gary Hatfield has studied visual perception for more than three decades. His works include experimental studies of shape constancy, theoretical papers on perception, and philosophical studies of the fundamental concepts and theories of visual perception and cognition and their history. His work in the history and philosophy of psychology extends from the seventeenth century to current controversies on qualia and perceptual representation. He has published books on Descartes and the Meditations and The Natural and the Normative: Theories of
Spatial Perception from Kant to Helmholtz, his essays have been collected in Perception and Cognition: Essays in the Philosophy of Psychology, and he has translated Kant's Prolegomena to Any Future Metaphysics. He is the co-founder of the Visual Studies undergraduate program at Penn and has co-taught, with psychologists and art historians, courses and seminars on all aspects of visual perception.
Sarah Allred studies visual perception and memory through psychophysics, probabilistic computational models, and neurophysiology. She is also interested in the philosophy of perception and evolutionary psychology. This range of topics reflects her academic training: a BSc in Applied Physics in 1999, a PhD in Neurobiology and Behavior from the University of Washington in 2006, and postdoctoral work in the lab of David Brainard at the University of Pennsylvania. Since 2009, Sarah has been teaching and researching as an assistant professor in the psychology department at Rutgers, The State University of New Jersey. She is the recipient of an NSF Career Award (2010-4). Contributors:
Sarah Allred, Psychology, Rutgers University, USA
Austen Clark, Philosophy, University of Connecticut, USA
Jonathan Cohen, Philosophy, University of California, San Diego, USA
Frank Durgin, Psychology, Swarthmore College, USA
William Epstein, Department of Psychology, University of Virginia, USA
Alan Gilchrist, Psychology, Rutgers University, USA
Karl Gegenfurtner, Psychology, University of Giessen, Germay
Carl Granrud, School of Psychological Sciences, University of Northern Colorado, USA
Thorsten Hansen, Psychology, University of Giessen, Germany
Gary Hatfield, Department of Philosophy, University of Pennsylvania, USA
David Hilbert, Department of
Philosophy, University of Illinois at Chicago, USA
Don MacLeod, Psychology, University of California, San Diego, USA
Maria Olkkonen, Psychology, University of Pennsylvania, USA
Anna Ruff, Psychology, Swarthmore College, USA
Robert Russell, Psychology, Swarthmore College, USA
Mark Wagner, Psychology Department, Wagner College, USA
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Gary Hatfield and Sarah Allred: Introduction: Visual Experience
Cognitive and Phenomenal Factors in Spatial Perception
1: Carl E. Granrud: Judging the Size of a Distant Object: Strategy Use by Children and Adults
2: Gary Hatfield: Phenomenal and Cognitive Factors in Spatial Perception
3: Mark Wagner: Sensory and Cognitive Explanations for a Century of Size Constancy Research
4: Frank H. Durgin, Anna J. Ruff, and Robert C. Russell: Constant Enough: On the Kinds of Perceptual Constancy Worth Having
Historical and Conceptual Issues
5: Alan Gilchrist: Objective and Subjective Sides of Perception
6: Donald I. A. MacLeod: A Mechanistic Perspective on the "Given"
7: Austen Clark: Spatial Organization and the Appearances Thereof in Early Vision
8: Jonathan Cohen: Computation and the Ambiguity of Perception
Color Constancy: Memory, Computation, and Inference
9: Maria Olkkonen, Thorsten Hansen, and Karl R. Gegenfurtner: High-Level Perceptual Influences on Color Appearance
10: David Hilbert: Constancy, Content, and Inference
11: Sarah Allred: Approaching Color with Bayesian Algorithms
Gary Hatfield and William Epstein: Epilogue: Advances and Open Questions
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The specification in this catalogue, including without limitation price, format, extent, number of illustrations, and month of publication, was as accurate as possible at the time the catalogue was compiled. Occasionally, due to the nature of some contractual restrictions, we are unable to ship a specific product to a particular territory. Jacket images are provisional and liable to change before publication.
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