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'I would prefer not to be in the audience for a performance of this, but only because I'd want to be taking part instead.' Music Teacher
A Little Jazz Mass
Kyrie eleison
SSA vocal score
24 pages
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279x216mm
978-0-19-343328-1
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Paperback
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26 August 2004
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for SSA, piano, and optional bass and drumkit ad lib.
A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written or serve as a guide, and bass and drums can join in ad lib. The bass part is available on sale (ISBN 978-0-19-335655-9). Also available in an SATB version. Forces or CategorySSA, piano, bass (optional), drums (optional)Duration12
minutesDifficultyEasyProgramme NotesChilcott has always loved jazz. At the beginning of his composing career, he worked as an arranger for the BBC Radio Orchestra and, while a member of the King's Singers, performed with artists such as George Shearing, Richard Rodney Bennett, John Dankworth, Art Farmer and the WDR Big Band. These experiences and influences have had a major impact on the music he composes.
Chilcott's jazz influences truly come to the fore in A Little Jazz Mass: The Kyrie has real groove, the Gloria swings, the Sanctus sits right back, the Benedictus hums along, and the Agnus
Dei draws inspiration from the Blues. The voices are underpinned by a characterful piano accompaniment which can be played as written or serve as a guide, and bass and drums can join ad lib, giving the flavour of an authentic improvised jazz trio.
This highly effective setting of the Latin Missa brevis - which is available in arrangements for both upper voice and mixed voice choirs - is one of Chilcott's most celebrated and popular choral works to date, and has received countless performances (both on the concert platform and as part of the sung liturgy in church services) across the world, perhaps most notably at St Paul's Cathedral, London.
A Little Jazz Mass was written for the massed choirs of the 2004 Crescent City Choral Festival, and received its premiere in St
Louis Cathedral, New Orleans in June of that year.
© Oxford University Press
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Bob Chilcott (b.1955) Bob Chilcott has been involved with choral music all his life, first as a Chorister and then a Choral Scholar at King's College, Cambridge. Later, he sang and composed music for 12 years with the King's Singers. His experiences with that group, his passionate commitment to young and amateur choirs, and his profound belief that music can unite people, have inspired him both to compose full-time and, through proactive workshopping, to promote choral music worldwide.Bob Chilcott's website
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"You can guess from the title whether or not this is suitable for your choir, and you know it's meant to be fun when the Gloria is marked 'with a swing' and the Agnus Dei conjures up the blues. I would prefer not to be in the audience for a performance of this, but only because I'd want to be taking part instead." - Armin Zanner, Music Teacher May 2005 "A little more challenging is his setting of the Latin Missa Brevis, that combines a deep love of jazz with the practicalities of real performance . . . The five movements use a variety of jazz styles, and it makes a very welcome alternative to existing settings. The publicity from Oxford University Press comments "This is gorgeous, soulful music in an utterly original setting",
and they could be right!" - Singing, Winter 04
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Kyrie
Gloria
Sanctus
Benedictus
Agnus Dei
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The specification in this catalogue, including without limitation price, format, extent, number of illustrations, and month of publication, was as accurate as possible at the time the catalogue was compiled. Occasionally, due to the nature of some contractual restrictions, we are unable to ship a specific product to a particular territory. Jacket images are provisional and liable to change before publication.
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