|
Also Recommended
|
|
|
Frederick Burwick
£98.00 £24.50
Please note, this offer price only applies to individual customers when ordering direct from Oxford University Press, while stock lasts. No further discounts will apply. If you are a bookseller, please contact your OUP sales representative.
|
|
|
|
|
Faustus: From the German of Goethe
Translated by Samuel Taylor Coleridge
Edited by Frederick Burwick and James C. McKusick
360 pages
|
27 engravings, 10 graphs
|
234x156mm
978-0-19-922968-0
|
Hardback
|
04 October 2007
|
|
This item is temporarily out of stock, but may be ordered now for delivery when back in stock.
|
|
|
- Establishes Coleridge as translator of Goethe's Faust
- Provides a thorough introduction explaining Coleridge's involvement in translating
- Includes thorough annotations to the text which reveal Coleridge's reliance on phrases and imagery from his other poetry
- Reprints, with introductory headnotes, five contemporary translations (de Stael, Soane, Anster, Boileau, Levinson-Gower)
- Gives the stylometric evidence of Coleridge's authorship using state-of-the-art computer-based analysis
The major work of German literature, Johann Wolfgang von Goethe's Faust (1808), was translated into English by one of Britain's most capable mediators of German literature and philosophy, Samuel Taylor Coleridge.
Goethe himself twice referred to Coleridge's translation of his Faust. Goethe's character wrestles with the very metaphysical and theological problems that preoccupied Coleridge: the meaning of the Logos, the apparent opposition of theism and pantheism. Coleridge, the poet of tormented guilt, of the demonic and the supernatural, found himself on familiar ground in translating
Faust. Because his translation reveals revisions and reworkings of Coleridge's earlier works, his Faust contributes significantly to the understanding of Coleridge's entire oeuvre.
Coleridge began, but soon abandoned, the translation in 1814, returning to the task in 1820. At Coleridge's own insistence, it was published anonymously in 1821, illustrated with 27 line engravings copied by Henry Moses after the original plates by Moritz Retzsch. His publisher, Thomas Boosey, brought out another edition in 1824. Although several critics recognized that it was Coleridge's work, his role as translator was obscured because of its anonymous publication. Coleridge himself declared that he 'never put pen to paper as translator of Faust', and subsequent generations
mistakenly attributed the translation to George Soane, a minor playwright, who had actually commenced translating for a rival press.
This edition of Coleridge's translation provides the textual and documentary evidence of his authorship, and presents his work in the context of other contemporary efforts at translating Goethe's Faust.Readership: Teachers, scholars, and advanced students of German and English Romanticism
|
|
|
Edited by Frederick Burwick, Professor Emeritus of English, University of California, Los Angeles, and James C. McKusick, Professor of English, University of Montana
|
|
|
"...anyone interested in Anglo-German relations in the Romantic age will have to read this book and the critical heritage it is rapidly generating. s" "a work of great scholarship which promises to reconfigure our understanding not only of the life and works of a major English writer, but of that writer's complex role in European cultural commerce... the recovery of Coleridge's time-concealed masterpiece promises to trigger a ripple of realignments right across both English and European Romanticism." - Kelly Grovier, Times Literary Supplement
|
|
|
Introduction
1: The Faustus of Goethe, translated by Samuel Taylor Coleridge (London: Boosey, 1821). With the 27 illustrations by Moritz Retzsch, re-engraved by Henry Moses.
2: Germaine de Staël, Germany [= de l'Allemagne, 1809], translated by Francis Hodgson, edited by William Lamb (London: John Murray, 1813). Part II 'On Literature and the Arts', Ch. 23, 'Faustus', pp. 181-226.
3: Extracts from Göthe's Tragedy of Faustus, explanatory of the plates by Retsch, translated by George Soane (London: Bohte, 1820). [January 1820] Page proofs for Bohte's planned second edition, translated by George Soane. [Sent to London Magazine, Nov 1821; to Goethe June 1822]
4: Retsch's Series of Twenty-six Outlines Illustrative of Goethe's Tragedy of Faust, translated by Daniel Boileau (London: Boosey, 1820). [June 1820], with Boileau's notes to Abraham Hayward's prose translation.
5: 'The Faustus of Goethe', translated by John Anster, Blackwood's Edinburgh Magazine, vol. 7. no. 39 (June 1820), 235-258.
6: Faust: a Drama by Goethe; and, Schiller's Song of the Bell, translated by Lord Francis Leveson Gower. (London: John Murray, 1823). [corresponding text only]
Stylometric Analysis of the Faust Translations,
Chronology
Bibliography
Index
|
|
|
|
|
|
|
|
|
Recently Viewed
|
|
|
Dwijendra Tripathi
£65.00
|
|
|
|
|
Craig Bourne
£42.50
|
|
|
|
|
Robert Hanna, Michelle Maiese
£52.50
|
|
|
|
|
The specification in this catalogue, including without limitation price, format, extent, number of illustrations, and month of publication, was as accurate as possible at the time the catalogue was compiled. Occasionally, due to the nature of some contractual restrictions, we are unable to ship a specific product to a particular territory. Jacket images are provisional and liable to change before publication.
|
|
