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Literary Theory and Criticism
An Oxford Guide
Patricia Waugh
624 pages
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246x189mm
978-0-19-925836-9
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Paperback
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26 January 2006
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- Fills a large gap in the market by combining the accessibility of single-authored narratives with a much broader range of critical perspectives.
- Offers a comprehensive account of the major movements and thinkers in modern literary criticism.
- Presents modern theory and criticism as part of an ongoing historical and intellectual tradition.
- Part Four offers suggestions and evaluations of possible future directions and debates.
Edited by Patricia Waugh, this comprehensive guide to literary theory and criticism includes 39 specially commissioned chapters by an outstanding international team of academics. The volume is divided into four parts. Part One covers the key philosophical and aesthetic origins of literary theory, Part Two looks at the foundational movements and thinkers in the first half of the twentieth century, Part Three offers introductory overviews of the most important movements and thinkers in modern literary theory and Part Four looks at emergent trends and future directions.
Readership: Suitable for all undergraduates studying Literary Theory or Literary Criticism.
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Patricia Waugh, Patricia Waugh is Professor of English at the University of Durham Contributors: Professor Andrea Nightingale, Stanford University Professor Patricia Waugh, University of Durham Professor Andrew Bennett, University of Bristol Dr Timothy Clark, University of Durham Professor Chris Baldick, Goldsmiths College, University of London Dr Gareth Reeves, University of Durham Dr Gary Day, De Montford University Professor Michael Ball, University of Warwick Dr Celine Surprenant, University of Sussex Dr Laura Marcus, University of Sussex Professor Andrew Bowie, Royal Holloway, University of London Professor Tony Davies, University of Birmingham Professor Glenn Jordan, University of Cardiff Professor Ann Banfield, University of California, Berkeley Professor Stephen Matterson, Trinity College, Dublin Professor David Fuller, University of Durham Professor Gary Saul Morson, Northwestern University Professor Peter Lamarque, University of York Professor Faiza Shereen, University of Dayton Professor Lynne Pearce, University of Lancaster Professor Chris Kennedy, University of Birmingham Professor Susana Onega, University of Zaragoza Dr Alex Thomson, University of Glasgow Ms Fiona
Tolan, University of Durham Tony Purvis, University of Sunderland Professor P. W. A. Hamilton, Queen Mary College, University of London Professor Elleke Boehmer, Nottingham Trent University Dr Kathy Kerr, Sunderland University Dr Josiane Paacaud-Huguet, University of Lyon Dr Chris Snipp-Warmsley, University of Singapore Professor Richard Kerridge, Bath Spa University College Professor Alan Richardson, Boston College Professor Christopher Norris, Cardiff University Professor Jeremy Hawthorn, Norway Dr Roger Luckhurst, Birkbeck College, University of London Dr Sean Burke, University of Durham Professor David Punter, University of Bristol Professor Scott Wilson, University of Lancaster Professor Ken Newton, University of Dundee
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"The quality of essays is consistently high, with outstanding contributions by Timothy Clark on hermeneutics, Chris Baldick on criticism and the academy, Chris Snipp-Walmsley on post-modernism, and Sean Burke on the responsibilities of the writer." - THES
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Introduction: criticism, theory, and anti-theoryPatricia Waugh:
Part I Concepts of criticism and aesthetic origins
1: Ann Nightingale: Mimesis: ancient Greek literary theory
2: Andrew Bennett: Expressivity: the Romantic theory of authorship
3: Timothy Clark: Interpretation: hermeneutics
4: Patricia Waugh: Value: criticism, canons, and evaluation
Part II Criticism and critical practices in the twentieth century
5: Chris Baldick: Literature and the academy
6: Ann Banfield: I. A. Richards
7: Gareth Reeves: T. S. Eliot and the idea of tradition
8: Michael Bell: Anthropology, myth, and modern criticism
9: Gary Day: F. R. Leavis: criticism and culture
10: Tony Davies: Marxist aesthetics
11: David Fuller: William Empson: from verbal analysis to cultural criticism
12: Stephen Matterson: The New Criticism
13: Peter Lamarque: The intentional fallacy
14: Andrew Bowie: Adorno and the Frankfurt School
15: Celine Surprenant: Freud and psychoanalysis
16: Gary Saul Morson: The Russian debate on narrative
17: Lynne Pearce: Bakhtin and dialogics
18: Faiza W. Shereen: Form, rhetoric, and intellectual history
19: Glenn Jordan and Chris Weedon: Literature into culture: cultural studies after Leavis
Part III Literary theory: movements and schools
20: Susana Onega: Structuralism and narrative poetics
21: Josiane Paccaud-Huguet: Psychoanalysis after Freud
22: Alex Thompson: Deconstruction
23: Fiona Tolann: Feminisms
24: Elleke Boehmer: Postcolonialism
25: Kathleen Kerr: Race, nation, and ethnicity
26: Paul Hamilton: Reconstructing historicism
27: Chris Snipp-Walmsley: Postmodernism
28: Tony Purvis: Sexualities
29: Christopher Norris: Science and criticism: beyond the culture wars
Part IV Futures and retrospects
30: K. M. Newton: Performing literary interpretation
31: Sean Burke: The responsibilities of the writer
32: Roger Luckhurst: Mixing memory and desire: psychoanalysis, psychology, and trauma theory
33: Jeremy Hawthorn: Theories of the gaze
34: David Punter: Anti-canon theory
35: Richard Kerridge: Environmentalism and ecocriticism
36: Alan Richardson: Cognitive literary criticism
37: Scott Wilson: Writing excess: the poetic principle of post-literary culture
Index
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The specification in this catalogue, including without limitation price, format, extent, number of illustrations, and month of publication, was as accurate as possible at the time the catalogue was compiled. Occasionally, due to the nature of some contractual restrictions, we are unable to ship a specific product to a particular territory. Jacket images are provisional and liable to change before publication.
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