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Romanticism
An Oxford Guide
Nicholas Roe
772 pages
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10 halftones
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246x189mm
978-0-19-925840-6
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Paperback
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27 January 2005
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This item is printed to order. Items which are printed to order are normally despatched and charged within 5-10 days.
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- The size and range of this book makes it much more comprehensive than any of its competitors.
- Combines an introduction to the literary and historical contexts with material on critical and theoretical approaches.
- Includes 46 newly-commissioned chapters from an international team of scholars, combining figures with long-established reputations with younger cutting-edge academics.
- There is an entire section devoted to 'Romantic Afterlives', which considers the influence of Romanticism on later writers and on contemporary culture.
This book is a comprehensive guide to the richness and diversity of the Romantic field. It includes 46 specially commissioned chapters by an international team of leading scholars and combines chapters offering background and contextual information with detailed readings of Romantic texts.
The volume is divided into four parts - 'Romantic Orientations', 'Reading Romanticism', 'Romantic Forms' and 'Romantic Afterlives'. Readership: Suitable for all undergraduates
studying Romanticism. Also suitable for the general reader looking for a comprehensive guide to Romanticism.
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Nicholas Roe, Nicholas Roe is Professor of English at the University of St Andrews Contributors: Professor Nicholas Roe, University of St Andrews Professor Simon Bainbridge, Keele University Dr Jane Stabler, Dundee University Professor Bruce Graver, Providence College Professor Adela Pinch, University of Michigan Professor Stephen Behrendt, University of Nebraska Professor John Barnard - retired, was at the University of Leeds Professor Timothy Fulford, Nottingham Trent University Professor Alan Gregory, Episcopal Theological Seminary of the Southwest Dr Fiona Stafford, Somerville College, University of Oxford Professor Christoph Bode, University of Bamberg Dr Nigel Leask, Queen's College, University of Cambridge Professor Susan Manning, University of Edinburgh Professor Kenneth Johnston, University of Indiana Professor Anne Mellor, University of California, Los Angeles Professor Jim McKusick, University of Maryland Dr Andrew Roberts, University of Dundee Dr Deirdre Coleman, University of Sydney Professor Richard Cronin, Glasgow University Professor Michael O'Neill, University of Durham Professor Paul Sheats, University of California, Los Angeles Dr Lynda Pratt, University of Nottingham Professor David Fairer, University of Leeds Professor Peter Vassallo, University of Malta Dr Corinna Russell, University of Liverpool Professor Steven Jones, Loyola University Professor Judith Pascoe, University of Iowa Will Christie, University of Edinburgh Professor Anthony Harding, University of Saskatchewan Professor Greg Kucich, Notre Dame University Dr Nicola Trott, University of Glasgow Dr Sophie Thomas, University of Sussex Professor Debbie Lee, Washington State University Dr John Whale, University of Leeds Dr Carl Thompson, Trinity College, University of Oxford Dr Nichola Deane, University of St Andrews Doctor Seamus Perry,
Balliol College, University of Oxford Professor Charles Rzepka, Boston University Dr Michael Herbert, University of St Andrews Professor Jerrold Hogle, University of Alberta Professor Julie Carlson, University of California at Santa Barbara Professor Andrew Bennett, University of Bristol Professor Edward Larrissy, University of Leeds Professor Peter Kitson, University of Dundee Professor Marilyn Gaull, New York University Professor Timothy Morton, University of Colorado Professor Kelvin Everest, University of Liverpool Professor David Miall, University of Alberta
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Part 1
Romantic Orientations
1: Simon Bainbridge: The Historical Context
2: Jane Stabler: The Literary Background
3: Bruce Graver: Classical Inheritances
4: Adela Pinch: Sensibility
5: Stephen Behrendt: The Visual Arts and Music
6: John Barnard: Print Culture
7: Timothy Fulford: Romanticism and Science
8: Alan Gregory: Religion and Philosophy
9: Fiona Stafford: England, Scotland, Wales, Ireland
10: Christopher Bode: Europe
11: Nigel Leask: Easts
12: Susan Manning: Americas
Part 2
Reading Romanticism
13: Kenneth Johnston: Historicist/Marxist Approaches
14: Anne Mellor: Feminist Approaches
15: Jim McKusick: Ecological Approaches
16: Andrew Roberts: Psychoanalytic Approaches
17: Deirdre Coleman: Postcolonial Approaches
18: Richard Cronin: Formalist Approaches
Part 3
Romantic Forms
19: Michael O'Neill: Introduction to Romantic Forms
20: Paul Sheats: The Lyric
21: Lynda Pratt: Epic
22: David Fairer: The Sonnet
23: Peter Vassallo: Narrative Poetry
24: Corinna Russell: The Novel
25: Steven Jones: Satire
26: Judith Pascoe: Drama
27: Will Christie: Essays, Newspapers and Magazines
28: Anthony Harding: Biography and Autobiography
29: Greg Kucich: Romance
30: Nicola Trott: Gothic
31: Sophie Thomas: Fragments
32: Debbie Lee: Forgeries
33: John Whale: Non-Fictional Prose
34: Carl Thompson: Travel Writing
35: Nichola Deane: Letters, Diaries and Journals
Part 4
Romantic Afterlives
36: Seamus Perry: Literary Criticism and Theory
37: Charles Rzepka: The Poetic Tradition
38: Michael Herbert: The Novel
39: Jerrold Hogle: Film
40: Julie Carlson: Romantic Afterlives and Legacies in the Theatre
41: Andrew Bennett: Idea of the Author
42: Edward Larrissy: Modernism and Postmodernity
43: Peter Kitson: Politics
44: Marilyn Gaull: Science
45: Timothy Morton: Environmentalism
46: David Miall: Romanticism in the Electronic Age
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The specification in this catalogue, including without limitation price, format, extent, number of illustrations, and month of publication, was as accurate as possible at the time the catalogue was compiled. Occasionally, due to the nature of some contractual restrictions, we are unable to ship a specific product to a particular territory. Jacket images are provisional and liable to change before publication.
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