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Seeing Justice Done
The Age of Spectacular Capital Punishment in France
Paul Friedland
344 pages
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15 black and white images
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234x156mm
978-0-19-959269-2
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Hardback
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14 June 2012
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- The first serious study of capital punishment in France written in English
- Explores the origins of punishment in western society as a whole, from the early Middle Ages to the modern period
- Approaches modern conceptions of what is humane and what is inhumane from a historical perspective
- Delves into fascinating subject matter
From the early Middle Ages to the twentieth century, capital punishment in France, as in many other countries, was staged before large crowds of spectators. Paul Friedland traces the theory and practice of public executions over time, both from the perspective of those who staged these punishments as well as from the vantage point of the many thousands who came to "see justice done". While penal theorists often stressed that the fundamental purpose of public punishment was to strike fear in the hearts of spectators, the eagerness with which crowds flocked to executions and the extent to which spectators actually enjoyed the spectacle of suffering suggests that there was a wide
gulf between theoretical intentions and actual experiences. Moreover, public executions of animals, effigies, and corpses point to an enduring ritual function that had little to do with exemplary deterrence. In the eighteenth century, when a revolution in sensibilities made it unseemly for individuals to take pleasure in or even witness the suffering of others, capital punishment became the target of reformers. From the invention of the guillotine, which reduced the moment of death to the blink of an eye, to the 1939 decree which moved executions behind prison walls, capital punishment in France was systematically stripped of its spectacular elements.
Partly a history of penal theory, partly an anthropologically-inspired study of the penal ritual, Seeing Justice Done
traces the historical roots of modern capital punishment, and sheds light on the fundamental "disconnect" between the theory and practice of punishment which endures to this day, not only in France but in the Western penal tradition more generally.Readership: Academics of history, culture, religion, and philosophy; legal scholars and lawyers; general readers
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Paul Friedland, Affiliate of the Minda de Gunzburg Center for European Studies at Harvard University Paul Friedland is an affiliate of the Minda de Gunzburg Center for European Studies at Harvard University. He is currently a fellow of the Shelby Cullom Davis Center for Historical Studies at Princeton University (2011-2012). His first book, Political Actors: Representative Bodies and Theatricality in the Age of the French Revolution (2002), was awarded the Pinkney Prize for the best book of the year by the Society for French Historical Studies.
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Introduction: Reading and Writing a History of Punishment
Part I: The Roots of Modern Punishment in Pre-Modern Europe
1: The Fall and Rise of Rome: Compensation, Atonement, and Deterrence in the Early Middle Ages
2: Criminal Intent and Spectacular Punishment: The Infiltration of Roman Legal Theory and Practice into French Customary Law
PART II: Executioners and the Ritual of Execution
3: Extraordinary Beings: The Life and Work of Executioners
4: The Execution of Justice: The Ritual of Punishment in Medieval and Early Modern France
PART III: Spectators & Spectacle
5: From Ritual to Spectacle: The Rise of the Penal Voyeur in Early Modern France
6: Executions, Spectator Emotions, and the Naturalization of Sympathy
7: A Spectacular Crisis: Watching Executions in the Age of Sensibilité
Part IV: A Death Penalty for the Modern Age
8: Theorizing a New Death Penalty: Penal Reform on the Eve of the Revolution
9: Legislating the New Death Penalty: The Simple Deprivation of Life
10: Executing the New Death Penalty: The Invisible Spectacle of the Guillotine
Epilogue: The Play Over, The Actors (Slowly) Leave the Stage (1794-1939)
Conclusion: Punishment Past and Present
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The specification in this catalogue, including without limitation price, format, extent, number of illustrations, and month of publication, was as accurate as possible at the time the catalogue was compiled. Occasionally, due to the nature of some contractual restrictions, we are unable to ship a specific product to a particular territory. Jacket images are provisional and liable to change before publication.
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