|
Also Recommended
|
|
|
Frederick Burwick
£105.00
|
|
|
|
|
Andrew Hass, David Jasper...
£34.00
|
|
|
|
|
|
Translated by Samuel Taylor Coleridge
Frederick Burwick, James C. McKusick
£131.00
|
|
|
|
|
The Oxford Handbook of Samuel Taylor Coleridge
Edited by Frederick Burwick
784 pages
|
246x171mm
978-0-19-964417-9
|
Paperback
|
23 February 2012
|
|
|
|
|
- An indispensable reference for the study of Samuel Taylor Coleridge
- Thirty-seven specially written contributions by an international team of experts providing the most advanced scholarship in each area
- Covers Coleridge's writings as a poet and literary critic, as a philosopher and lecturer, as a commentator on religion and politics
- Provides a fascinating way into the major movements of the Romantic age, not just in literature and the arts, but also in religion, politics, eduction, from the French Revolution and anti-slavery, to educational reform and the Broad Church Movement
A practical and comprehensive reference work, the Oxford Handbook provides the best single-volume source of original scholarship on all aspects of Coleridge's diverse writings. Thirty-seven chapters, bringing together the wisdome of experts from across the world, present an authoritative, in-depth, and up-to-date assessment of a major author of British Romanticism. The book is divided into sections on Biography, Prose Works, Poetic Works, Sources and Influences, and Reception.
The Coleridge scholar today has ready access to a range of materials previously available only in library archives on both sides of the Atlantic. The Bollingen edition, of the Collected Works of Samuel Taylor Coleridge, forty years in production was completed
in 2002. The Coleridge Notebooks (1957-2002) were also produced during this same period, five volumes of text with an additional five companion volumes of notes. The Clarendon Press of Oxford published the letters in six volumes (1956-1971). To take full advantage of the convenient access and new insight provided by these volumes, the Oxford Handbook examines the entire range and complexity of Coleridge's career. It analyzes the many aspects of Coleridge's literary, critical, philosophical, and theological pursuits, and it furnishes both students and advanced scholars with the proper tools for assimilating and illuminating Coleridge's rich and varied accomplishments, as well as offering an authoritative guide to the most up-to-date thinking about his
achievements.Readership: Teachers, scholars, and advanced students of the Romantic period
|
|
|
Edited by Frederick Burwick, Professor Emeritus of English, University of California, Los Angeles Contributors:
Christoph Bode, Ludwig-Maximilians-Universität Munich
Frederick Burwick, University of California, Los Angeles
Paul Cheshire, Friends of Coleridge
Pamela Edwards, Jack Miller Center,
Angela Esterhammer, Universities of Zürich and Western Ontario
George Erving, University of Puget Sound
Murray J. Evans, University of Winnipeg, Canada
David Fairer, University of Leeds
Richard Gravil, independent scholar
Nicholas Halmi, University of Washington, Seattle
Anthony John Harding, University of Saskatchewan
Douglas Hedley, Cambridge University
Jeffrey Hipolito, Everett Community College
H. J. Jackson, University of Toronto
Andrew Keanie, University of Ulster
Peter Kitson, University of Dundee
Julian Knox, University of California, Los Angeles
Michael John Kooy, University of Warwick
John-David Lopez, University of California, Los Angeles
Charles Mahoney, University of Connecticut
Robert M. Maniquis, University of California, Los Angeles
Tilar J. Mazzeo, Colby College
James C. McKusick, University of Montana
Christopher R. Miller, Yale
University
Raimonda Modiano, University of Washington
Michael O'Neill, Durham University
Morton D. Paley, University of California at Berkeley
Seamus Perry, University of Oxford
Matthew Scott, University of Reading
Elinor Shaffer, University of London
Anya Taylor, CUNY
David Vallins, Hiroshima University
Neil Vickers, University of London
Eric G. Wilson, Wake Forest University
|
|
|
Review(s) from previous edition
"A substantial portion of these essays are by leading scholars who bring to the project a wealth of knowledge, a keen sense of both the history of Coleridgean scholarship and its contemporary preoccupations, and the ability to convey this in succint and informative ways. As such, the Handbook should serve as an excellent companion not only for undergraduate students beginning their studies of Coleridge, but also for more advanced scholars - Quentin Bailey, Notes and Queries
|
|
|
List of Contributors
Frederick Burwick: Introduction
Biography
1: Nicholas Roe: Coleridge's Early Years
2: Richard Gravil: Coleridge and Wordsworth: Collaboration and Criticism from Salisbury Plain to Aids to Reflection
3: John David Lopez: Coleridge's Publisher and Patron: Cottle and Poole
4: Neil Vickers: Coleridge's Marriage and Family
5: Tilar Mazzeo: Coleridge's Travels
6: Anya Taylor: Coleridge's Self-representation
The Prose Works
7: Peter Kitson: Coleridge's Lectures 1795: On Politics and Religion
8: Michael John Kooy: Coleridge as Editor: The Watchman, The Friend
9: Angela Esterhammer: Coleridge in the Periodicals
10: Matthew Scott: Coleridge's Lectures: Lectures 1808-1819: On Literature
11: Raimonda Modiano: Coleridge as Literary Critic: Principles of Genial Criticism, Biographia Literaria
12: Pamela Edwards: Coleridge on Politics and Religion: Lay Sermons, Statesman's Manual, Aids to Reflection; On the Constitution of Church and State
13: Jeffrey Hipolito: Coleridge's Lectures: Lectures 1818-1819: On the History of Philosophy
14: H. J. Jackson: Coleridge as Reader: Marginalia
15: Paul Cheshire: Coleridge's Notebooks
16: David Vallins: Coleridge as Talker: Sage of Highgate, Table Talk
17: Murray Evans: Coleridge as Thinker: Logic and Opus Maximum
The Poetic Works
18: Nicolas Halmi: Coleridge on Allegory and Symbol
19: David Fairer: Coleridge's Early Poetry, 1790-1796
20: Michael O'Neill: Coleridge's Genres
21: George Erving: Coleridge as Playwright
22: Frederick Burwick: Coleridge as Translator
Sources and Influences
23: Andrew Keanie: Coleridge and Plagiarism
24: Anthony Harding: Coleridge, Biblical and Classical Literature
25: Douglas Hedley: Coleridge and Theology
26: Charles Mahoney: Coleridge and Shakespeare
27: Christopher R. Miller: Coleridge and the English Poetic Tradition
28: Matthew Scott: Coleridge and European Literature
29: Elinor Shaffer: Coleridge's Dialogues with German Thought
30: James C. McKusick: Coleridge and Language Theory
31: Christoph Bode: Coleridge and Philosophy
32: Julian Knox: Coleridge and the Arts
33: Eric Wilson: Coleridge and Science
Reception
34: Seamus Perry: Coleridge's Literary Influence
35: Morton Paley: Coleridge's Early Biographers
36: Elinor Shaffer: Coleridge Criticism in Continental Europe
37: Robert Maniquis: Writing about Coleridge
|
|
|
|
|
|
|
|
|
The specification in this catalogue, including without limitation price, format, extent, number of illustrations, and month of publication, was as accurate as possible at the time the catalogue was compiled. Occasionally, due to the nature of some contractual restrictions, we are unable to ship a specific product to a particular territory. Jacket images are provisional and liable to change before publication.
|
|
