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Memoir
An Introduction
G. Thomas Couser
208 pages
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210x140mm
978-0-19-982692-6
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Paperback
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05 January 2012
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This item will be ordered from OUP USA. Items ordered from OUP USA are despatched and charged as soon as we receive them, which is normally within 2 weeks
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- Introduces readers to the history, techniques, types, and forms of memoir and its many subgenres
- Penned in clear, accessible prose—Couser's cogent volume will appeal to general readers and undergraduates
- Offers a clear introduction to the growing field of life-writing more broadly
- Expands our understanding of memoir to include graphic memoirs (like Spiegelman's Maus) and documentary films like My Architect
Each year brings a glut of new memoirs, ranging from works by former teachers and celebrity has-beens to disillusioned soldiers and bestselling novelists. In addition to becoming bestsellers in their own right, memoirs have become a popular object of inquiry in the academy and a mainstay in most MFA workshops. Courses in what is now called life-writing study memoir alongside personal essays, diaries, and autobiographies. Memoir: An Introduction proffers a concise history of the genre (and its many subgenres) while taking readers through the various techniques, themes, and debates that have
come to characterize the ubiquitous literary form. Its fictional origins are traced to eighteenth-century British novels like Robinson Crusoe and Tom Jones; its early American roots are examined in Benjamin Franklin's Autobiography and eighteenth-century captivity narratives; and its ethical conundrums are considered with analyses of the imbroglios brought on by the questionable claims in Rigoberta Menchú's I, Rigoberta, and more notoriously, James Frey's A Million Little Pieces. Alongside these more traditional literary forms, Couser expands the discussion of memoir to include film with what he calls "documemoir" (exemplified in Nathaniel Kahn's My Architect), and graphic narratives like Art Spiegleman's Maus. In sum, Memoir: An Introduction provides a succinct and comprehensive survey to
today's most popular form of life-writing.Readership: General readers interested in memoir/biography; readers of publications like The New York Review of Books, The New Republic, The Nation, American Scholar, PMLA, American Quarterly, American Literature, Southwest Review, A/B: Auto/Biography Studies (US), Literary Imagination, Auto/Biography (UK), Biography (U of Hawai'i) Life Writing (Australia)
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G. Thomas Couser, Professor of English, Hofstra University G. Thomas Couser is Professor of English at Hofstra University. He is the author of American Autobiography: The Prophetic Mode; Altered Egos: Authority in American Autobiography; Recovering Bodies: Illness, Disability, and Life Writing; Vulnerable Subjects: Ethics and Life Writing; and Signifying Bodies: Disability in Contemporary Life Writing.
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"Couser has carved out a place on the reading list of any undergraduate life writing module as well as in any bibliography where the classification of genre is a concern ... the book thoughtfully introduces the theoretical foundations upon which the contemporary study of life writing rests; not least of these is the idea that selves are not recorded in life writing but constructed therein." - Claire Lynch, Modern Language Review
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Acknowledgments
Introduction
1. What Memoir Is, and What Memoir Isn't
2. Memoir and Genre
3. Memoir's Forms
4. Memoir's Ethics
5. Memoir's American Roots
6. Contemporary American Memoir
7. The Work of Memoir
Works Cited
Index
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The specification in this catalogue, including without limitation price, format, extent, number of illustrations, and month of publication, was as accurate as possible at the time the catalogue was compiled. Occasionally, due to the nature of some contractual restrictions, we are unable to ship a specific product to a particular territory. Jacket images are provisional and liable to change before publication.
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