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Six Enduring Principles for Managing Strategy and Innovation in an Uncertain World (Lessons from Microsoft, Apple, Intel, Google, Toyota and More)
Michael A. Cusumano
£16.99
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Mark Dodgson, David Gann
£7.99
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Cultural Strategy
Using Innovative Ideologies to Build Breakthrough Brands
Douglas Holt and Douglas Cameron
404 pages
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234x156mm
978-0-19-958740-7
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Hardback
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28 October 2010
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This item is printed to order. Items which are printed to order are normally despatched and charged within 5-10 days.
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- Major contribution to thinking on strategy and innovation from a brand perspective
- Shows how societal changes produce opportunities for entrepreneurs and managers; how to identify these; and how to exploit them
- Explores how many successful firms ally products with cultural innovations to use these opportunities to build brands
- Provides a five step strategy framework and seven cultural methods with application to consumer technologies, social enterprise, and business start-ups
- Draws on case studies of firms such as Nike, Marlboro, Starbucks, Jack Daniels, vitaminwater, and Ben & Jerry's, all of whom employed a cultural innovation approach
- Explains the inbuilt barriers to innovation that hinder many large organizations, and puts forward a solution to overcoming these barriers
- Questions many 'sciency' marketing approaches
- Follows on from Holt's hugely successful How Brands Become Icons
- Holt and Cameron draw upon their consulting work with New York advertising agencies
Market innovation has long been dominated by the worldview of engineers and economists: build a better mousetrap and the world will take notice. But there's another important way to build new businesses: with innovative ideologies rather than innovative mousetraps. Consider Coca-Cola, Nike, Jack Daniel's, Marlboro, Starbucks, Corona, Oprah, The Body Shop: all built with innovative ideologies. Further many "better mousetraps" are much more compelling to consumers when bundled with innovative ideologies; consider BMW, Apple, and Whole Foods.
Cultural Strategy provides a step-by-step guide for managers and
entrepreneurs to build businesses in this simple but effective way. Holt and Cameron analyse a series of classic cases that relied on these bold, innovative strategies: Nike, Marlboro, Starbucks, Jack Daniels, vitaminwater, and Ben & Jerry's. They then demonstrate how the theory works as an actionable strategy model, drawing upon their consulting work. They show how cultural strategy takes start-up brands into the mass market (Fat Tire beer), overcomes "better mousetraps" wars in a technology driven category (ClearBlue pregnancy test), effectively challenges a seemingly insurmountable incumbent (FUSE music channel vs MTV), and develops a social innovation (The Freelancers Union).
Holt and Cameron also describe the best organizational model for pursuing this
approach, which they term "the cultural studio". The book demonstrates that the top consumer marketing companies are consistently poor at this type of innovation because they rely on an antithetic organization structure, what the authors term "the brand bureaucracy". To succeed at cultural innovation requires not only a very different approach to strategy, but a new way of organizing as well.Readership: Managers, entrepreneurs, and MBA and management students looking to understand cultural innovation and how to build new businesses and brands that reflect and respond to cultural shifts
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Douglas Holt, Founding Partner of The Cultural Strategy Group, New York, and Douglas Cameron, Founding Partner of Amalgamated Advertising Agency, New York Douglas Holt is the founding partner of The Cultural Strategy Group, a consulting firm that specializes in helping managers, entrepreneurs, and activists develop cultural strategies. He was previously a professor at the Harvard Business School and Oxford University's Said Business School. A leading expert on branding and innovation, he pioneered cultural branding in his best-selling book How Brands Become Icons. Holt has developed cultural strategies for a wide range of brands including Coca-Cola, Microsoft, Ben & Jerry's, Sprite,
Jack Daniel's, MINI, MasterCard, Fat Tire beer, Qdoba, Georgia Coffee, Planet Green, and Mike's Hard Lemonade, along with a number of not-for-profit organizations. He has lectured on these ideas at management seminars and talks worldwide, including the World Economic Forum.
Douglas Cameron is co-founder and Chief Strategy Officer at Amalgamated, an influential non-traditional advertising agency known for developing provocative cultural content across multiple media platforms. He began his career at Cliff Freeman & Partners, the most lauded creative shop of its time. He entered the world of marketing inadvertently: travelling the world as a bagpiper, he was invited by David Ogilvy to perform at his French castle. Ogilvy insisted he take up advertising. He worked with Holt extensively developing cultural strategies at Cliff Freeman and Amalgamated, which led to his role as co-author of Cultural Strategy. He graduated from Dartmouth College, where he received the English department¹s top graduating honour.
Find out more at CulturalStrategyGroup.com
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"...May well be one of the most important books on advertising and branding in the past ten years." - Richard Huntington, Adliterate.com
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1: Rethinking Blue Oceans
Part I: Cultural Innovation Theory
2: Nike: Reinventing the American Dream
3: Jack Daniel's: Mythologizing the Company to Revive Frontier Masculinity
4: Ben & Jerry's: Provoking Ideological Flashpoints to Launch a Sustainable Business Myth
5: Starbucks: Trickling Down New Cultural Capital Codes
6: Patagonia: How Social Enterprises Cross the Cultural Chasm
7: Vitaminwater: Creating a "Better Mousetrap" with Myth
8: Marlboro: The Power of Cultural Codes
9: Cultural Innovation Theory
Part II: Applying the Cultural Strategy Model
10: Clearblue Pregnancy Tests: Branding a New Technology
11: Fat Tire Beer: Crossing the Cultural Chasm
12: Fuse Music Television: Challenging Incumbents with Cultural Jujitsu
13: Freelancers Union: Branding a Social Innovation
Part III: Organizing for Cultural Innovation
14: The Brand Bureaucracy and the Rise of Sciency Marketing
15: The Cultural Studio Forms Underground: Levi's 501s in Europe
16: The Cultural Studio Forms Above Ground: ESPN
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The specification in this catalogue, including without limitation price, format, extent, number of illustrations, and month of publication, was as accurate as possible at the time the catalogue was compiled. Occasionally, due to the nature of some contractual restrictions, we are unable to ship a specific product to a particular territory. Jacket images are provisional and liable to change before publication.
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