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Lovesickness and Gender in Early Modern English Literature
Lesel Dawson
256 pages
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7 black-and-white halftones
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216x138mm
978-0-19-926612-8
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Hardback
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18 September 2008
Price:
£65.00 £16.25
Please note, this offer price only applies to individual customers when ordering direct from Oxford University Press, while stock lasts. No further discounts will apply. If you are a bookseller, please contact your OUP sales representative.
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- Looks at lovesickness in the works of Shakespeare, Beaumont and Fletcher, Middleton, Ford, and Davenant
- Provides a detailed account of the early modern construction of lovesickness as a disease - it outlines its etiologies, symptoms, and cures, and explores cases of individuals who were treated by doctors for the malady
- Makes an important contribution to the history of romantic love, as well as to gender studies
In early modern medical texts, intense unfulfilled erotic desire is held to be a real and virulent disease: it is classified as a species of melancholy, with physical etiologies and cures. Lesel Dawson analyzes literary representations of lovesickness in relation to medical ideas about desire and wider questions about gender and identity, exploring the different ways that desire is believed to take root in the body, how gender roles are encoded and contested in courtship, and the psychic pains and pleasures of frustrated passion. She explores the relationship between women's lovesickness and other female maladies (such as
hysteria and greensickness), and asks whether women can suffer from intellectual forms of melancholy generally thought to be exclusively male. Finally, she examines the ways in which Neoplatonism offers an alternative construction of love to that found in natural philosophy and considers how anxieties concerning love's ability to emasculate the male lover emerge indirectly in remedies for lovesickness.
With reference to the works of Shakespeare, Beaumont and Fletcher, Middleton, Ford, and Davenant, Lovesickness and Gender in Early Modern English Literature investigates how early modern representations of lovesickness expose contemporary cultural constructions of love, revealing the relation of sexuality to spirituality and the creation and shattering of the
impassioned subject. It offers an important contribution to the history of romantic love and will be of interest to students and scholars of literature, gender, and medical history.Readership: Students and scholars of early-modern English literature; those with an interest in the history of medicine, gender, feminism, and sexuality
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Lesel Dawson, Senior Lecturer in English, University of Bristol
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"an important contribution to the flourishing field of the history of emotions" - Katharine Craik, Times Literary Supplement
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Introduction: Sweet Poison
1: 'My Love is as a Fever': Medical Constructions of Desire in Early Modern England
2: 'A Thirsty Womb': Lovesickness, Green Sickness, Hysteria, and Uterine Fury
3: Beyond Ophelia: The Anatomy of Female Melancholy
4: Lovesickness and Neoplatonism
5: 'Griefs Will Have their Vent': Physical and Psychological Remedies for Lovesickness
6: Menstruation, Misogyny, and the Cure for Love
Bibliography
Index
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