Readership: Musicologists, music theorists, postgraduate music students; specialists interested in film, video etc.
Nicholas Cook, Professor of Music Cambridge University
Foreword Part I Introduction to Part 1: Music and Meaning in the Commercials 1: Synaesthesia and Similarity 2: Multimedia as metaphor 3: Models of multimedia Part 2 Introduction to Part 1: Steps Towards Analysis 4: Credit Where It's Due: Madonna's Material Girl 5: Disney's Dream: The Rite of Spring sequence from Fantasia 6: Reading film and re-reading opera: from Armide to Aria Conclusion: The Lonely Muse Index