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10 carol arrangements for mixed voices
Bob Chilcott
Vocal score
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Salisbury Vespers
Vocal score
104 pages
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279x216mm
978-0-19-336395-3
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Paperback
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07 May 2009
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for chorus, chamber choir, and children's choir, or large divisi chorus, with orchestra and organ or brass ensemble and organ.
Showcasing Chilcott's exceptional talent for large-scale choral writing, Salisbury Vespers pays homage to this most ancient of services, combining settings of the traditional Vespers psalms with anonymous early texts and words from the Sarum Primer of 1516. Marian motets punctuate the psalm settings, and the work is concluded with a substantial setting of the Magnificat, using the plainsong melody from the same section in Monteverdi's Vespers of 1610.
With driving rhythms, passages of reflective contemplation, and expansive, powerful textures, this is sure to become a mainstay of the modern choral repertory for
years to come. Written for large mixed choir, chamber choir, and children's choir, Salisbury Vespers could equally be performed by a large mixed choir, with the parts for chamber choir and children's choir being sung by smaller sections taken from within the large choir. Forces or CategoryChorus, chamber choir, children's choir or large divisi chorus & orchestra & organ/brass ensemble & organDuration50 minutesDifficultyModerately
difficultOrchestrationOrchestra: 2 fl, 2 ob, 2 cl, 2 bn, 4 hn, 3 tpt, 2 tbn, tba, timp, 2 perc, org (opt), str
Brass: 4 tpt, 2 hn (in F or Eb), 2 tbn (bass clef in C or treble clef in Bb), btbn, tba (bass clef in C or treble clef in Eb), 2 perc, timp, org
Percussion: BD, SD, tbells, glock, med. and low toms, tri, crotales, crash cym, bongos
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Bob Chilcott (b.1955) Bob Chilcott has been involved with choral music all his life, first as a Chorister and then a Choral Scholar at King's College, Cambridge. Later, he sang and composed music for 12 years with the King's Singers. His experiences with that group, his passionate commitment to young and amateur choirs, and his profound belief that music can unite people, have inspired him both to compose full-time and, through proactive workshopping, to promote choral music worldwide.Bob Chilcott's website
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Psalm 69 (70), v.2: Deus in adiutorium
Psalm 109 (110): Dixit Dominus
Motet: I sing of a mayden
Psalm 112 (113): Laudate pueri
Motet: When to the temple Mary went
Psalm 121 (122): Laetatus sum
Motet: Lovely tear of lovely eye
Hymn: Vexilla Regis
Motet: Hail, Star of the sea most radiant
Magnificat
Magnificat anima mea
Et exultavit
Quia respexit
Quia fecit mihi magna
Et misericorida
Fecit potentiam
Deposuit potentes de sede
Esurientes implevit bonis
Suscepit Israel
Sicut locutus est
Gloria Patri
Sicut erat in principio
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Please note, this offer price only applies to individual customers when ordering direct from Oxford University Press, while stock lasts. No further discounts will apply. If you are a bookseller, please contact your OUP sales representative.
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Phyllis Tate
Conductor's score and parts on hire
Available on Hire
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The specification in this catalogue, including without limitation price, format, extent, number of illustrations, and month of publication, was as accurate as possible at the time the catalogue was compiled. Occasionally, due to the nature of some contractual restrictions, we are unable to ship a specific product to a particular territory. Jacket images are provisional and liable to change before publication.
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