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Gerald Barry
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Ralph Vaughan Williams
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An Extravaganza in One Act
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Vocal and instrumental scores and parts on hire
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Troilus and Cressida
Vocal scores on hire - 1995 'Opera North' version
978-0-19-338606-8
05 September 1994
Price: Available on request
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Opera for soprano, mezzo-soprano, 2 tenor, 2 bariton, bass soli, SATB chorus and full orchestra, version used by Opera North in their 1995 production. Libretto by Christopher Hassell. the 1995 Opera North version, prepared by Stuart Hutchinson in association with the William Walton Trust and Oxford University Press, includes the cuts in the 1976 version but the dramatic-soprano tessitura of the 1954 version has been reinstated. Forces or CategorySoprano, mezzo-soprano, 2 tenor, 2 bariton, bass soli, SATB chorus and full orchestraDuration120
minutesDifficultyDifficultOrchestration3 fl (III+picc&afl), 2 ob, ca, 2 cl, bcl, 3 bn (III+cbn), 4 hn, 3 tpt, 3 tbn, tba, timp, 4-5 perc, 2 hp, cel, str;
Plus off stage: hn, 4 tpt, bells, 2 dr, SD
Percussion: tri, sym, sus cym, gong, tam, glock, xylo, vib, SD, MD, TD, BDProgramme NotesFirst performance - Leeds, 14 January 1995, Clive Bayley (Calkas), James Thornton (Antenor)m Arthur Davies (Troilus), Nigel Robson (Pandarus), Judith Elgar Howarth (Cressida), Yvonne Howard
(Evadne), David Owen-Lewis (Horaste), Alan Opie (Diomede), Chorus of Opera North, English Northern Philharmonia, conductor Richard Hickox.
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William Walton (1902-1983) Edited by Stuart Hutchinson Sir William Walton was born in Oldham, Lancashire in 1902, the son of a choirmaster and a singing-teacher. He became a chorister at Christ Church Cathedral, Oxford, and then an undergraduate at the University. His first composition to attract attention was a piano quartet written at the age of sixteen. At Oxford he made the acquaintance of the Sitwells who gave him friendship, moral and financial support and in 1922 he collaborated with Edith in devising the entertainment Façade. Less than ten years later, Osbert prepared the text of another masterwork, Belshazzar's Feast. From 1922
to 1927 Walton began to spend an increasing amount of time abroad, notably in Switzerland and Italy. The war years were devoted mainly to writing film and ballet scores and he became established as amongst the greatest composers for the screen.More information at the William Walton website
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"Troilus deserves an honourable place in the British opera repertory. In addition to some gorgeous melodies, it has an orchestral score which is bewitchingly beautiful." - Michael Kennedy, The Sunday Telegraph "The haunting love music from Troilus and Cressida lingers in the memory for ages afterwards. A solo oboe calls out over shimmering strings - the voice of sensuality raised over the barest whisper of a breeze, transporting the listener to a sultry night in the Mediterranean." - Richard Fairmanm, The Financial Times
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The specification in this catalogue, including without limitation price, format, extent, number of illustrations, and month of publication, was as accurate as possible at the time the catalogue was compiled. Occasionally, due to the nature of some contractual restrictions, we are unable to ship a specific product to a particular territory. Jacket images are provisional and liable to change before publication.
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